Maine winters require resilience, but they give so much beauty in return.
I've been a little quiet here on my blog, but busy with color in the studio! I just released Pro Set V for Adobe Lightroom and Camera Raw last week. I loved creating the bold new looks for this set, from vivid to pastel to dark & moody!
I treat every color palette I design as artwork and a means of expression. Just as a photograph is most impactful when it is both technically sound and conveys heart, I believe a professional color grading product ought to be reliable but also artistic in approach. Color to me is art, and art is true inspiration come to life – not an emulation, not a science, not a copy of what has already been done before, but a unique idea expressing itself.
Pro V is my idea of what beauty and feelings look like in color form. My hope is that every individual photographer who uses it finds their favorite color palettes that resonate with their own particular way of self-expression. It's been so exciting for me since the launch to see photographers around the world love and use Pro V creatively!
It's fascinating to me how some art can slice straight through all of my layers and hit me straight in the heart. Like an arrow shot skillfully through a very narrow opening, it completely misses all of my evaluative processing, so that I don't really judge what it is about it that makes it good. My first reaction is only to feel something.
I wrote on my blog years ago that my best pictures were made in a moment when my heart broke. I believe some of the best art is made when the artist is broken in making the work - not only in terms of sadness or grief, but when the beauty so overwhelms them that they create from the most vulnerable place, the inner child.
Merriam-Webster uses words like subdued and interrupted to define brokenness. I saw an interview with John Frusciante some time ago, where he talked about how art already exists outside of us - that we don't "create" art, but rather we are a channel through which the art seeks to finds expression. If this is true, then art does require our brokenness. We construct the adult we want to be to protect the child we are inside, but it is often that very adult in us who judges and criticizes, who overthinks, rationalizes and creates fear. This is what needs to be subdued for the inner child to have the courage to bring the art to life.
Perhaps this same process of brokenness is what allows us to feel art deeply - even art that we might otherwise dismiss. Jeanette Winterson wrote about this in her essay Art Objects: "When you say 'This work has nothing to do with me,' 'This work is boring/pointless/silly/obscure/élitist etc.,' you might be right, because you are looking at a fad, or you might be wrong because the work falls so outside of the safety of your own experience that in order to keep your own world intact, you must deny the other world of the painting. This denial of imaginative experience happens at a deeper level than our affirmation of our daily world. Every day, in countless ways, you and I convince ourselves about ourselves. True art, when it happens to us, challenges the 'I' that we are."
It takes courage not only to make art, but to let it in.